Hi fellow book length writers,

In our August meeting we began by sharing any news and about our various writing concerns and projects. Our discussion ranged from subjects such as mastering the art of writing to what do you submit? and how do you know when it’s good writing? Bell gave a reading and asked for some constructive criticism on her use of ‘show don’t tell’. Tarsha share about a U.W.A  on-line course she did entitled “Writing like a pro”.     We welcomed our new member Trine, who is into Fantasy writing.

Our guest author was Sarah Drummond who was great at sharing a lot about her story and progression as a writer from the Albany area. She spoke of how to her the landscape itself became a fundamental character in her story telling. Her first book Salt she described as a narrative fiction. She spoke about her love of the sea and being on the water fishing at night as a magical experience. Sarah began writing about this subject daily by simply blogging and discovered other people really got into it and realised our lives are interesting or even exotic to some one, for example, living in a densely populated city in Europe. To turn this into a book took around 18 months with a lot of hard work.

Sarah’s tips on writing were to blog at least once a week and to follow other’s blogs too and start conversations. She blogs about what’s happening in her life. Her book Salt emerged from blogging and came out in 2013. Sarah’s tips on narrative are to find the other’s voice, listen for cadence of speech, that your landscape is a character and a motivator.   Sarah treated us to a reading from her recent book The Sound.

Our next BLP group will be on Sunday September 17th at 10 am to 12 noon. 

To access some of the wonderful things happening at FAWWA please go to their website or better still, sign up for the newsletter:



June Meeting Newsletter


Hi fellow book length writers,

In our May meeting,held at Tom Collins house, we said our fondest farewells to Louise and celebrated her amazing contribution to our group over the past few years. She will be very much missed by us all I’m sure and we can’t wait to have her visit as our guest speaker when her first novel comes out next year.

The June meeting  was the first one for myself and Bruce to co-facilitate as a couple of volunteers attempting to do our best. We really appreciated the warm support of the writers who were present as we made our initial steps into our new role.

As we don’t consider ourselves any where near Louise’s literary league, we have set a about creating a slightly new agenda that we feel we can manage. Our main focus being on the aspects or pillars of your manuscript either your own or published work relating to: 1. Plot-Causality, twist, reversal. 2. Dialogue-Set the scene, progress the plot, reveal the characters, foreshadow conflict, provide exposition. 3. Character development-Motivations of different characters. 4. Exposition-Backstory, but show don’t tell.

We will also continue to ask writers to read out their pieces considering the above pillars in mind and which aspect they are focused upon in their piece. Each writer will be given a set time to read so that we have time for as many as possible and for discussion afterwards. Our readers were Leonard and Connor who both focused upon their character’s development.

At the June meeting we also shared information on resources about writing you can find on YouTube and Bruce showed us how to use Siri on your iPhone to read back your recent writing to you.

Our next BLP group will be on Sunday July 16th at 10 am to 12 Noon.

To access some of the wonderful things happening at FAWWA please go to their website or better still, sign up for the newsletter:










Click here to read our November newsletter, which contains:

  • dates of upcoming meetings
  • members news
  • what’s on at the FAWWA and in WA
  • interesting articles and interviews from the web


July Meeting Round-Up


Our guest speaker was Brigid Lowry who talked to us about writing, the life of a writer, and her latest book, ‘Still Life With Teapot‘.


Brigid was born in Auckland, New Zealand, into a strange but very creative family. Before turning to writing, she was a hippie, a waitress, a software tutor, a librarian, a mother, a wife, and a primary school teacher. At the age of thirty-five she returned to University to do a BA in Creative Writing. Since then, she’s published poetry and short fiction, and eight young adult books. Her second novel, ‘Guitar Highway Rose’ was a bestseller, and won the WA Hoffman Young Readers Choice Award. She’s also won grants and residencies, and taught creative writing at Curtin University.

These days, Brigid’s a Zen student, a grandmother, a drifter, a dreamer, an editor, and a creative writing teacher. She’s fond of chai, the ocean, coloured pencils, found objects, and fairy dust. Brigid loves to inspire people of all ages to explore their creativity, truly, madly, deeply.

9781925163544_WEBLARGEBrigid’s most recent book, ‘Still Life With Teapot’ is her first adult title. It’s part-memoir and part-advice for how to live a creative life. It’s quirky and honest, and heartfelt and meaningful. I’ve read it and believe it ranks right up there with ‘Writing Down the Bones’ by Natalie Goldberg and ‘Bird by Bird’ by Anne Lamott.

Here are some of Brigid’s wisdom and inspiration:

  1. Trust the writing process. This was her biggest take home message. Keep at it, keep writing, even when you don’t know where you’re headed.
  2. Applying for a grant is, basically, ‘bullshitting’.
  3. When Brigid has taught creative writing, it’s the writers around the middle of class, the average to above-average, who eventually make it. It’s not the ‘shining stars’. And the difference is ‘bum glue’—that is, discipline.
  4. Brigid asked us to answer four questions:
    (a) What stops me writing?
    (b) What do I love?
    (c) What do I think I ‘should’ be doing?
    (d) If I could have an artistic date, what would it be?We then went around the room and shared an answer to one of these questions, and found we all share similar fears and loves and shoulds.

    ‘We all breathe out of the same nose.’

    Our fears, desires, needs are all the same, including the fear we feel when writing—that, ‘I’m an idiot’, or ‘I’m a dunce’. Every writer feels it, so acknowledge it. (And keep writing.)

  5. When you sit down to write, set the bar low: Don’t aim to write a novel; start with the aim of writing four interesting lines.
  6. Brigid also works as an editor and mentor, and said there are two types of people who are difficult to edit: Those who won’t change anything, and those who change everything. Editing is meant to be a relationship—listening to each other and working together.
  7. Brigid had a few book and author recommendations:
    Natalie Goldberg’s ‘Writing Down the Bones’ and ‘True Secret of Writing’
    Anne Lamont’s ‘Bird by Bird’
    Sylvia Ashton Warner
    Diane Ackerman’s essay ‘What Writers Do’
    Helen Garner’s ‘The Feel of Steel’

I’ll include part of the excerpt Brigid read to us from ‘Still Life With Teapot’.

‘The article I liked most claimed there’s no such thing as writers’ block. Instead, one of three things might be happening. One. You can’t write because you’re dealing with a major life event such as a health issue or the death of a beloved. Once this is dealt with, your writing will flow. Two. Your work has a technical problem. Your story is in the first person but would work better in the third person, or you need to do more research. Define the problem. Fix it, seeking advice if need be. Three. Your well has run dry. Take a break. Feed your soul. Nourish your creativity. Inspiration will return.

And this:

But if you feel you must write, here are my tips.

Write with every ounce of your being. Write as if your hair is on fire. Be the writing. Apply yourself to what Owen Marshall calls ‘the necessary strict toiling with language.’ Don’t wait until tomorrow, next week, after Christmas. There’s no perfect time to write. There’s only now. You want to be a writer. Okay. Stop whingeing about how hard it is. Stop being a lazy bugger. Show up for work everyday and give it everything you’ve got.

For more of this excerpt on Writer’s Block, see here and if you want to read more about Brigid and her book, click here.

Brigid also gave us advance notice of a book coming out in September in which she has an essay, called ‘The Book That Made Me‘. It also features essays by Marcus Zusak and Sean Tan.


A reminder that submissions to the Dorothy Hewett Award close on 1st August. The manuscript can be fiction, narrative nonfiction or poetry, and includes hybrid genres such as verse novels or memoirs. The winner will receive a cash prize of $10,000 and will be offered a publishing contract by UWA Publishing. Click the link for more information.

Also, the Avon Valley Readers and Writers’ Festival is on 9-11th September. For more information and tickets, click the link.


Our next meeting will be on August 21st, with a 10am start. Hope to see you then.


June Meeting Round-Up


We had a record turn-out for our June meeting, which was most likely due to our guest, Laurie Steed.


Laurie talked to us about his journey as a writer, and then spoke from the other side of the desk, as a member of the board of Margaret River Press (MRP).

Before I go any further, I’ll remind you of Laurie’s accomplishments to date:

Laurie completed his Ph.D. in Creative Writing at the University of Western Australia in 2015. He won the Patricia Hackett Prize for Fiction in 2013 and in the same year, won the Creative Works Prize at the Higher Degree by Research Achievement Awards. He’s also been a recipient of fellowships from The University of Iowa, The Baltic Writing Residency, The Elizabeth Kostova Foundation, The Katharine Susannah Prichard Foundation and The Fellowship of Writers (Western Australia).

His fiction has been broadcast on BBC Radio 4 and has appeared in Best Australian StoriesAward Winning Australian WritingThe Review of Australian FictionThe AgeMeanjinWesterlyIslandThe Sleepers Almanac, and elsewhere. His non-fiction has appeared in Australian Book ReviewBookseller + PublisherKill Your DarlingsThe Courier MailThe Big IssueThe Emerging Writers Festival ReaderThe Emerging Writer: An Insider’s Guide To Growing Your Writing, and elsewhere.

He has taught writing, publishing and editing at Monash University and Deakin University, and currently teaches Advanced Fiction for Writers Victoria. He is on the Editorial Board for MRP, is a former advisory consultant for the Emerging Writers Festival, and lives with his family in Perth, Western Australia.

Laurie has an agent for his interlinked story collection You Belong Here, which will hopefully be published soon.

Here’s a summary of Laurie’s gems of wisdom. (I doubt I jotted everything down, so if you notice I’ve omitted something, please add it in the comments.)

1. Laurie’s early stories were published in small journals, many of which are now defunct, and he kept a blog. That way, he learnt the craft of writing to a small readership—in a ‘safe space’.

2. Some stories just have to be written, to ‘clear space’ mentally. Sometimes, too, the same story must be written more than once, or the same topic, until it clicks.

3. Laurie estimates he’s written about 260 stories, of which 5-10 have been published.

4. Laurie’s connected series of short stories You Belong Here has been seriously considered by a publisher, however they wanted changes that Laurie felt would destroy the integrity of the book.

It can be difficult to decide which changes to make, he said, but you need to be true to yourself, and true to your writing, and at the end of the day, it’s the integrity of the book that’s important.

5. Laurie’s worked many jobs—including delivering alcohol and mulching at Perth airport—and he’s written in the time around his paid work. He’d recommend doing a PhD, as it gives you time to dedicate time to writing.

6. He also recommends getting out of Perth, even out of Australia, to write. Get out of your comfort zone and see what comes up in your writing.

7. Laurie had a fellowship at the University of Iowa in 2012, which he describes as a ‘literary Vietnam’. He used the criticism of one of his short stories (The Knife) to inspire him to rewrite it. It later won the Patricia Hackett prize and was published in the Review of Australian Fiction.

8. He reminded us that not everyone is going to like our writing, and nor do they have to.

As a Board member of Margaret River Press, Laurie also sees the other side of the submissions desk—the publisher’s perspective.

Caroline Wood began MRP in 2011. It is a not-for-profit press, set up to support diverse voices. Laurie is one of the project managers, and reads 20-30 submissions every couple of months, which amounts to about 150 submissions per year.

Laurie chooses the manuscripts he likes, and three members of the editorial board then read a partial of each. If they like the book, all members of the editorial board read the complete submission and decide if they’ll publish it. Each year, only two to four of the 150 submissions make it to publication.

MRP also publish an annual short story collection. About 200 stories are submitted, of which 24 are published—i.e., the odds are better!

What Laurie looks for in Submissions:

1. A polished draft.

A lot of editing work needs to have been done already. Things like static description, grammar/punctuation errors, and stereotypical characters detract from a manuscript.

2. Does it adhere to the ethos of MRP?

MRP is mainly literary fiction, but also publishes a few food and surfing titles that fit with the district.

Laurie’s Tips:

1. Aim high.

2. Don’t overstate things in your bio. Truth and authenticity is good.

3. Be nice.

4. Personal approach is good. Research the publisher to whom you’re submitting to make sure your book fits their style.

5. Don’t take rejection personally.

6. You don’t have to be the best.

7. Never bite back when rejected.

8. Make sure your work blows you away because you have to be dedicated to it.

Laurie can be found at the Centre for Stories at 100 Aberdeen Street, Northbridge, or via his website.

MRP’s latest short story collection, Shibboleth, will be launched in August. Emily Paull, one of our BLPG members, will be reading her story at the launch.



The fortnightly ‘Write Night‘ is coming up tomorrow night, July 5th, at Mattie’s House.

Creative Writing and Inspiration Day Course (School Holiday Programme)—July 8th and 15th.

Memoir Writing Group—August 4—More details to come.

Haiku Workshop with Matt Hetherington—August 7.




Sunday, 17th July at 10am, when we’ll welcome the author of numerous novels, non-fiction works, and poems, Brigid Lowry, as our guest speaker. I’m about half-way through Brigid’s latest book, Still Life With Teapot, which is a thoroughly enjoyable and quirky memoir. Read more about it here.


Meanwhile, keep writing and always remember:


Louise 🙂